Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Retro 2, Dakota, After Hours, Secondhand Smoke, The Facade, Better days, Groove Lounge, The Corner Store, and 18 more. , and , . Purchasable with gift card Buy Digital Discography $113.25 USD or more (25% OFF) Send as Gift Share / Embed 1. All my life 01:35 buy track 2. Walk in the park 02:09 buy track 3. Cloud 9 01:40 buy track 4. Me and my radio 01:39 buy track 5. Venice beach 01:52 buy track 6. West end 01:53 buy track 7. Paradise 02:30 buy track 8. Summer nights 01:42 buy track 9. Guacamole 01:39 buy track 10. Moving day 01:27 buy track 11. Till we meet again 01:52 buy track about 11 track Beat tape $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released March 30, 2018 All tracks produced by G-wiz at the Dunfor studio long island NY 2018 $(".tralbum-credits").last().bcTruncate(TruncateProfile.get("tralbum_long"), "more", "less"); license all rights reserved tags Tags hip hop hip-hop/rap instrumentals lo-fi New York Shopping cart total USD Check out about G-wiz New York
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The sunshine. Outside of fundamentally keeping life on our planet happy and healthy, it personally plays a big role in how well I feel from day to day. Sunny days help make my worries feel manageable, and give me the energy to tackle things head on.
Books, and authors, and a never-ending mountain of worlds to get lost in. I could read 1,000 books a day for the rest of my life and still only scratch the surface of all the wonderfully inspiring stories out there waiting to be read.
Problems viewing the YouTube video? Listen the SoundCloud audio here:Tracklist1 - Intro 2 - Can't Love U Like Me (ft D'Angel) 3 - Life Sweet 4 - Inna Real Life 5 - God A Di Boss 6 - Few Lession 7 - Jah Put A Shield 8 - She Was All In Mi Dream 9 - It Hurts (being In Love) 10 - Child 11 - Better Soon Come 12 - Life 13 - Swallow Dem Words 14 - Share Mi With Her 15 - Soulmate 16 - Arms Of Love 17 - Clock A Tik 18 - On And On 19 - Tomorrow 20 - Nah Wah Si Dem 21 - Boom Skeng 22 - Mourning"LIFE" is produced by TJ Records and is a very thought provoking ballad about the perils of poverty and one young man's plight to achieve success from his mother's wise teachings. Jamaica Star writer "BLAKKA" says, "In a simple but profound declaration of faith and hope, G Whizz tells the world "mi life soon sort out, mi nah worry, mmmm my life soon happy" and the vibe he emits in the song is contagious. You can't help but sing along. That's partly because the young artiste captures a spirit of positive determination that many of us can identify with. He shares a mood of resilience and virtue that we all want to embrace even if we are at a difficult juncture in our life."Finding the formula to do a follow- up to a good song can sometimes be difficult for a young artist, but G Whizz is an exception. After watching "LIFE" climb the charts, GWHIZZ decided to record "BETTA SOON COME" and "TOMORROW" for TJ Records who also produced the "UNFINISHED BUSINESS RIDDIM" featuring MOVADO "I'm So Special" and SERANI "No Games."TOMORROW, another uplifting and positive message from G Whizz suggest that better days are yet to come. Ghetto yutes don't depend on the gun. There is a star in all of us, check out this video, we can do this our people if we are one big family. When asked about the inspiration for this song GWHIZZ says, "People encounter problems everyday and feel down sometimes, and sometimes you just want someone to encourage you. Sometimes thats not even a friend, it can come from music. Thats what I want to offer through my songs. Im hoping the video and the song will touch and encouragepeople. Follow G Whizz on twitter: @GwhizzDat
[Hook: Kehlani & G-Eazy]We put the good in the good in the good lifeWe put the good in the good in the good lifeWe put the bad in the past, now we alrightEazyAyy, ayy, ayy, ayyKehlani, I got youAyy, yeah
[Hook: Kehlani & G-Eazy]We put the good in the good in the good lifeThe good lifeWe put the good in the good in the good lifeI said the good lifeWe put the bad in the past, now we alrightWe alrightAyy, ayy, ayy, ayyYeah, yeahAyy, yeah
[Hook: Kehlani & G-Eazy]We put the good in the good in the good lifeYeahWe put the good in the good in the good lifeYeahWe put the bad in the past, now we alrightYeah, you know, uhWe put the good in the good in the good lifeThe good lifeWe put the good in the good in the good lifeI said the good lifeWe put the bad in the past, now we alrightWe alrightAyy, ayy, ayy, ayyUhAyy, yeah
Fresh and clean, we lookingWe nor dey fight (We nor dey fight)Man no send no bodyI dey live my lifeIf you not talking moneyNo go call my lineMan jus wan happyMan jus wan dey alright
Little is known about the background of commercial sex workers in Africa. This study investigated how women in a trading town on the trans-Africa highway in southwest Uganda become involved in commercial sex work, which factors contribute to their economic success or lack of success, and what effect life trajectories and economic success have on negotiating power and risk behaviour. Over the course of two years detailed life histories of 34 women were collected through recording open, in-depth interviews, the collection of sexual and income and expenditure diaries, visits to the women's native villages, and participant observation. The women share similar disadvantaged backgrounds and this has played a role in their move into commercial sex. They have divergent experiences, however, in their utilisation of opportunities and in the level of success they achieve. They have developed different life styles and a variety of ways of dealing with sexual relationships. Three groups of women were identified: (1) women who work in the back-street bars, have no capital of their own and are almost entirely dependent on selling sex for their livelihood; (2) waitresses in the bars along the main road who engage in a more institutionalised kind of commercial sex, often mediated by middlemen and (3) the more successful entrepreneurs who earn money from their own bars as well as from commercial sex. The three groups had different risk profiles. Due partly to their financial independence from men, women in the latter group have taken control of sexual relationships and can negotiate good sexual deals for themselves, both financially and in terms of safe sex. The poorer women were more vulnerable and less able to negotiate safer sex. A disadvantaged background and restricted access to economic resources are the major reasons for women gravitating to commercial sex work. Various aspects of personality play a role in utilising income from commercial sex to set up an economic basis that then makes the selling of sex unnecessary. This has implications for interventions, and part of the longer-term solution should lie in improving the economic position of women vis-à-vis men.
Hate it when they play both sidesToo low in my lifeGotta stay high, gotta stay highToo low in my life, yeah, I gotta stayHate it when they play both sidesToo low in my life, so I gotta stay highYeah, I gotta stay highToo low in my, too low in my
Hate it when they play both sidesToo low in my lifeGotta stay high, gotta stay highToo low in my life, yeah, I gotta stayHate it when they play both sidesToo low in my life, so I gotta stay highYeah, I gotta stay highToo low in my, too low in my (Ayy, huh)
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